洞房花烛原名:The Wedding Night,又名新婚之夜、春色撩人洞房夜、洞房花烛夜
In this Samuel Goldwyn production directed by King Vidor, the studio's intent was to make Russian-born Anna Sten a star, but it didn't succeed. Sten plays Manya Nowak, a Polish farm girl attracted to Tony Barrett (Gary Cooper), a novelist with writer's block who has retreated to a Connecticut farmhouse to find his muse. Barrett's wife Dora (Helen Vinson) misses the **** and ret...
肥皂剧式的电影,这个故事搁现在扯个十几集不成问题。 结尾好虐,COOP怅然若失,倚窗唏嘘的样子真是**
这结局也太糊弄事了吧……不过我对安娜斯坦的印象稍微好了点,之前因为复活对她印象真是差到极点。
唉,好撩=。=他演感情戏对我来说**力max
3.5+ Coop就是rom-*** king, 永远能用表情跟台词把搞对象演得这么憨实可爱!最后二十分钟迎来了意想不到的genre转变,看完片之后看下IMDb上trivia, 说是Coop和Helen Vinson的角色参考了菲茨杰拉德夫妇,看的时候就有点这种感觉。(Hem随手拉黑🤣哦不行,八年之后还要请他演罗伯特·乔丹) 【不过Coop实在不怎么像作家= =|||| 最爱Vinson关于婚姻的那段monologue, I met you on every corner, 是I see your face in every crowd级别的浪漫和悲伤,sigh【四舍五入也是农场电影哈哈
已重新调整片源,已发布A站俄语版本
一部片长不长却只能靠着翻白眼才终于看完的电影;Gary Cooper非常不适合饰演这种形象;看过的Old Movies中唯二不喜的女主都叫Novak,但这位最为厌恶,最终滚下楼梯是全片唯一拍手称快的地方。 I was expecting a touching love story, but instead this movie made me sick. Just cliche even in 1935.
a bad ending is the best ending for this
*….什么破片….失意作家没了工作都要**,还美其名曰解放波兰**自由,得了吧🙄,只觉得Novak和原配惨….无语,毛线帽库珀造型好逗,还有两次眼神放电😉,最后俩男的争斗novak成了牺牲品真是无语😓
金维多你为什么要给我💩吃……其实很多桥段都有神经喜剧的潜质,非要写成现在这个又滑稽又故意催泪的样子【尤其结尾,什么玩意?!(虽然确实是唯一解= =)】一受不了合理化男的为“缪斯**”**,二受不了充斥全片的“美国梦解放波兰人”感(尤其很快你坞就会开始宣传女性贤妻良母论= =)其实是为了贝拉米来看的,好消息是他终于跟女主在一起了,坏消息是——(不剧透了)
小夜游我特别的喜欢,**的觉得挺给力的样子