别名:米勒风潮
时长:52分钟
类型: 喜剧 短片
语言:无对白
地区:英国
导演: 乔治·阿尔伯特·史密斯
更新时间:
资源状态:
简介:Infrontofaflourmill,twomenfight.Oneisthemiller,andhesswingingabagofflourinthescuffle.Theotherisachimneysweep,a……更多>>
磨坊主与扫烟囱的人原名:The Miller and the Sweep,又名米勒风潮
In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller. A miller, while flirting with ...
A miller, while flirting with a young lady, suddenly bumps into a chimney sweep carrying a bag of soot. After an exchange of words, they start to fight and each uses his bag of cloth as a club. After the battle is over neither can be recognized. The air is so filled with flour an
闲着实在无聊的时候就大量看100年前的短片。。。算不算恶趣味。。
英国布莱顿学派。前景的面粉袋斗殴和后景的旋转磨坊风车,前后景的戏剧性呼应。
The film shows a popular vaudeville routine in which a chimney sweep and a miller battle it out sending soot and flour flying. An excellent example of a type of broad, visual comedy typical to the vaudeville stage.
风车下面,带着面粉的磨坊主与带着灰的扫烟囱的人,完成了一组黑白颜色的对比,而最后大批演员穿过银幕,带来的仿佛是横贯到镜头之外的叙事延伸。
日常**,固定机位。 绕开了梅里爱,放弃了**的舞台风格,回归了卢米埃尔兄弟的现实主义美学。 背景巨大的风车,前景戏剧化的动作,结尾处人物冲出画面打破影片景框的封闭性。 呈现出了明显的表现性,并非纪录式的卢米埃尔电影,是一种精确艺术结构下的产物。
英国布莱顿学派的露天场景与现实主义取向。在旋转的***之前,是一场黑白互殴的闹剧,而闹剧过后,则再没有纯粹的黑白,彼此都已染色。
布莱顿学派8,前景的黑白互殴,后景如常的风车转动。闹剧的开篇,从此电影里的横向,纵向挥拳成为常态,电影的闹腾,欢快成为爆米花电影的常态。
远景的风车想到拳皇的场景,也是作为两个格斗者的舞台,结尾闯入的人群提示镜头的开放性
磨坊主与扫烟囱的人 The Miller and the Sweep (1897):https://***.bilibili****/video/av68305801?p=3