Fantasia sottomarina
Roberto Rossellini's first film is a work of deceptive transparency. In its initial moments the film appears to be a documentary about underwater, even deep-sea, species. But soon after, the narration, in the manner of Cocteau, unleashes a powerful "dual reality" onto the images, imbuing them not only with a narrative logic, but a kind of magic. (Let's be clear, for Rossellini ...
太好笑了哈哈哈,罗西里尼早年都拍这种***小短片,场面相当激烈!伊莎贝拉拍绿***somehow继承父亲遗志了。
海底世界小短片,看到鱼用尾巴把鱼饵从鱼钩上打下来我呆了,这是一只有思想的鱼O_O
这动物福利可以说很可怕了,他妻子(页面上的“副导演”)说****买许多条替身演员hhhhh还有很多演员在拍摄过程中死了就把它们肚皮朝下翻过来用细线拴上假装还活着【善于利用不能演戏的演员,非常新现实主义了XD。但RR真的好萌。最后一段忧伤的鱼看着乌贼疯狂**,配上面无表情(废话)的鱼脸大特写和他的解说笑死